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Dr. No

Dr. No is the first movie of the James Bond movie series. The movie is made in the early sixties, and it’s based on the same named book written by Ian Fleming in 1958. The film was a huge success at its time and it gathers viewers around the television even today. Though the film is over 50 years old it still makes quite a impact to the viewers. The action scenes and special effects don’t make as colossal impressions as they did in the sixties, but the nostalgic feeling you get while watching the movie really hits the spot!

As I said previously, the special effects of the movie aren’t so spectacular as they are nowadays. And some outdoor scenes are clearly shot in front of the green screen. The sound effects of the explosions and punches are actually pretty poor. You can easily hear that those effects are added into film afterward, and they don’t even sound realistic. But because the Dr. No was basically the first film that had those kind of effects it is fun to think how quickly the film shooting and special effect technology has evolved in such a short time.

The fact is that when you mention James Bond the first thing you think is the Bond theme song. You are hearing it right now, don’t you? That soundtrack was firstly introduced in the movie Dr. No and after all the years the sound track is still one of those few elements that is part of the James Bond movies today. And it is quite a mystery why that song has come such a success. The ”James Bond Theme” for movie Dr. No is composed by the Monty Norman.

Sean Connery’s performance as James Bond is truly magnificent. And because of that some people still think that Sean is the one and only Bond. Connery creates the perfects balance between Bonds brutality and vulnerability. By making he look like a immortal and powerful hero, but still a human. Ursula Andress as ”Bond-girl” Honey Ryder has also brought the character alive in a good way. She is’t the modern day heroine, who saves the Bonds life, but she still seems to be Bonds sidekick in a mental level. Not all the acting performances are great at the film. Actually I’m kind of disappointed to the Dr. No him self. Joseph Wiseman (Dr. Julius No) don’t bring that kind of thread and danger on to the character that he should.

Dr. No basically started the movie genre of the secret agents. And as a first movie of that genre it defined by far all the movies of that kind. Almost every secret agent movie has followed the pattern that Bond-movies and especially Dr. No has set. In these kind of movies the agent is firstly a victorious hero, who succeeds in all his missions, but then happens something, witch buts the agent down and he has to gather him self again to beat the ”evil”.

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Batman begins

After the Warner Bros’ quest to kill Batman failed, Christopher Nolan decided to take the character and use it as a weapon of social criticism. Hence the name, Nolan starts from a clean slate. Here’s the story: a rich married couple gets mugged and killed with one of their kin left behind. This kid, left with the enormous heritage, grows up with the trauma and vengeance for injustice. He determines to fight crime as the Caped Crusader. More than a cop, more than a lawyer. He becomes an idea. He inspires all the cops and lawyers to stand up against the vile underground.

Bruce, portrayed by Christian Bale, sees beyond the criminals’ dirty deeds. He sees a rotten society. Nolan now shows what are the causes of great differences in income. The city of Gotham is corrupted for good, because no one who is capable of changing things doesn’t care.

Bruce Wayne travels to east. While he’s doing some jail time, a representative of fan favourite Ra’s al Ghul meets him. The representative, named Henri Ducard, trains Bruce to become a member of the League of Shadows, which has been fighting the corrupt since the 1500-century in the DC Comics universe. This quote from Ra’s al Ghul frames his perception of justice well: ”When a forest grows too wild, a purging fire is inevitable and natural.” Bruce refuses to execute a murderer as a ritual to committing to justice. Then he also learns that the League of Shadows is set out to destroy Gotham for all it’s corruption. Bruce doesn’t accept it. This can be seen as against to capital punishment, when Bruce decides to give Gotham another chance and protect it. He destroys the building leaving only Henri Ducard behind.

He gets the equipment for badassery from the Wayne enterprises conveniently at the same time when he discovers the bat cave to dump all that equipment to. The storyline starts to wrap up: Ra’s al Ghul, who was actually disguised as Henri Ducard has been dumping lethal hallucinogen into drinking water. But, the poison in liquid form isn’t functional. That’s why Falcone’s men steal a desert fighting weapon, that drains enemy’s water supply. It can vaporize Gotham’s sewers, and make the people breathe the poison in. Batman stops their plans while fighting Ra’s al Ghul. And just spitting out ever-memorable one-liners of course.

Hans Zimmer, as some might say, the master of horrifying movie music composed a score for this film. He uses the illustrious manners of building tension: repetition and volume. Zimmer’s way of adding structure and body to the simplest melody or idea will get your adrenaline pumping until your can not sit still.

”Why do we fall? So we can learn to pick ourselves up.” this quote by fictional character Thomas Wayne, Bruce Wayne’s dad, displays the uplifting side of this dark tale. It shows that even the most light hearted people can enjoy this movie and have something to relate to. With all these elements combined, this story works at every part in time. In the hands of a capable director of course.

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