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Great Expectations

Great Expectations is a novel by Charles Dickens and was first published in short parts from December 1860 to August 1861. It’s widely considered to be the masterpiece of Dickens’ work and has been adapted in to several movies and at least a few tv series.

Great Expectations tells the story of Philip Pirrip, commonly referred to as Pip, from his childhood through to his thirties. The story focuses on Pip’s growth both physically and mentally. It’s a very typical coming-of-age book as it not only shows the better parts of Pip’s life, but explores the downsides of his great expectations as well. The title, Great Expectations, is a reference to Pip suddenly becoming wealthy and therefore having greater expectations than he would have had without the money.

The book’s main character and narrator is, as said before, Pip. In the beginning of the book Pip is an orphan living with his sister and his sister’s husband. The book has a very interesting set of characters who all have their own motives that are expertly woven in to the fabric of the story. As the story is told from Pip’s perspective the difficult relationships he has with some characters are painfully clear. The two very constant relationships throughout the book from Pip’s youth to the very end of the story are the ones with his brother-in-law Joe and the unattainable love of his life, Estella. Estella is an interesting character as she is shown to be awfully cold to Pip and yet, Pip never lets go of her. One might question whether or not that’s healthy, but in the true fashion of literature, Pip’s love for Estella is portrayed as almost undying. But of course, one must not look past the character of Joe. Throughout the book Pip mentions feeling that he has let Joe down by not visiting him or sending him letters as regularly as he should have. This might describe the fact that after coming in to wealth, people often disregard their previous friends and family. Indeed, Pip even specifically mentions being ashamed of Joe as Pip watches Estella. Thus, Estella and Joe, in an odd way, represent the two sides of Pip’s life.

Great Expectations was written in the 1860s and that is very obvious in the style that it is written. The English used in it is somewhat old and Dickens uses several words that are no longer common. However, the thing that makes Great Expectations a little difficult to read is Dickens’ way of writing the characers’ speech. In the first chapter Magwitch demands Pip to bring him ’wittles’. For a person whose native language isn’t English, it may be difficult to comprehend that Magwitch is trying to say ’vittles’ which is another form of the word ’victuals’. In other words, Magwitch is asking Pip to bring him food. Many of the characters use these type of words that would perhaps not be difficult to understand when spoken aloud but are terrible to read. You have to repeat the words in your head and try to figure out what vowels may have been left out in order to make clear that the character’s dialect isn’t exactly polished.

Out of all the English books I have read, I think Great Expectations was the hardest. As a reader I usually look for stories that are easily relatable and as Great Expectations is set in an entirely different era with its own manners and style, it was hard to get a hold of it, so to speak, at first. However, I did enjoy reading it and finding out what happened to Pip and Joe and Estella as well as Pip’s amusingly named best friend, Herbert Pocket. The thing that truly drew me in to the story was how real it all was. There was no attempt by Dickens to mask Pip’s poorness or his misery. And in the end I think that’s what I appreciated the most.

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The Hobbit: The Battle of the Five Armies

The Hobbit: The Battle of the Five Armies is the third installment of the multibillion trilogy based on The Hobbit: Or There and Back Again written by J.R.R. Tolkien. It is also the sixth movie based on Tolkien’s works and directed by Peter Jackson. The screenplay was written by Fran Walsh, Philippa Boyens, Peter Jackson and Guillermo del Toro.

The Battle of The Five Armies (originally titled There and Back Again) is the Hobbit trilogy’s third movie, based on The Hobbit as well as short sections of other pieces of Tolkien’s works. In a nutshell, the movie follows the journey of Bilbo Baggins, who faces the harsh reality of war after following the thirteen dwarves to the Lonely Mountain, also known as Erebor. Needless to say, the mountain is more or less full of gold, and is therefore not only of interest to the dwarves but to the elves and the people of Lake Town as well as an army of orcs. The movie also brings to screen the struggles of Bard the Bowman (Luke Evans), a man facing the aftermath of the utter obliteration of his hometown and the upcoming threat of war.

Martin Freeman gives an excellent performance as the movie’s title character Bilbo Baggins, the hobbit. I found myself following Bilbo’s struggles even more intently than in the two previous movies, which only shows Freeman’s impressive acting abilities. Other talented actors in the movie include Richard Armitage who does a wonderful job in bringing to life the madness that takes over the king of Erebor, Thorin Oakenshield. Indeed the movie includes almost award-worthy performances by many known actors for example Benedict Cumberbatch as both the dragon Smaug and the evil Lord Sauron and Lee Pace as the ’Elvenking’ Thranduil. But what blew my mind away was (once again) the performance of the 75-year-old Sir Ian McKellen. His performance as Gandalf is extraordinary, especially when one takes in to consideration his age and the amount of action scenes that Gandalf has. And of course I should also mention Sir Christopher Lee (Saruman the White) who gets his fair share of action despite his considerable age of 92.

The Hobbit trilogy was the first to introduce the so called HFR to the wide public. HFR (which stands for ’high frame rate’) basically means that instead of showing 24 frames per second, a higher number – 48 in the Hobbit – is shown. The HFR combined with the 3D features and the movie’s enormous budget guarantee that there is never a shortage of things to marvel at. Despite the movie’s scenery (such as the halls and front of the mountain Erebor, Lake Town and later the city of Dale) being mostly made with computers the attention to detail is incredible. It’s almost too real. From time to time the 3D and the incredibly sharp picture were a little too much. Somehow I found it hard to look at certain things because my eyes were distracted by too many aspects. This happened whenever the Arkenstone, the legendary jewel the dwarves and their king Thorin in particular coveted, was shown. It was like an explosion of tiny particles which made it a little annoying to look at. But with Peter Jackson as the director you can’t really be sure if that was done on purpose.

The movie’s soundtrack was composed by Howard Shore who had previously worked on the Lord of the Rings trilogy with Peter Jackson. His music brings a feeling on continuity to the screen as film after film, one’s able to recognize the familiar tunes. Considering how Howard Shore won not only one but three Oscars for his music in the Lord of the Rings, I’m very surprised his works in The Hobbit have not won him any awards. Shore’s music in The Battle of the Five Armies was amazing and I especially enjoyed how every theme had it’s own music. The dwarves had their own tunes and the elves their own and when both were shown on screen the audience heard a genius mixture of the two.

All in all I enjoyed the film very much. Whether that was because I had read the book or because I’m somewhat unable to ever find flaws in works based on J.R.R. Tolkien’s writings, I do not know. I found the film’s title The Battle of The Five Armies very suiting as it did have very, very big battles. In fact the only small flaw in the movie was the fact that almost two hours of its 2h22min running time was fighting. But when you stretch one book of around 300 pages in to three movies you can’t expect them all to have two hours worth of incredibly well-designed emotional scenes. I am, however, a little sad. The ending of The Battle of the Five Armies marked, at least for me, an end to Tolkien on screen. Years ago, only the rights to The Hobbit and The Lord of the Rings were sold. That means that Tolkien’s other, brilliant works might never see the inside of a movie theatre. As the rights to Silmarillion were never sold – and it seems that Tolkien’s estate isn’t going to sell them any time soon – it might well be that this was the kiss goodbye (or perhaps more suitably The Last Goodbye as sung by Billy Boyd during the credits) to Middle Earth. But then again, isn’t that what they said when the closing credits of the Lord of the Rings ended?

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