The 27 Club And Illuminati Connection: Famous Musicians Who Died At Age 27

The 27 Club is a term used to refer to popular musicians who have died at the age of 27, often as a result of drug and alcohol abuse. The number of musicians who have died at this age and the circumstances of many of those deaths has given rise to the idea that premature deaths at this age are unusually common.

The ”club” has been repeatedly cited in music magazines, journals and the daily press. Several exhibitions have been devoted to the idea; as well as novels, films and stage plays.

There have been many different theories and speculations about the causes of such early deaths and their possible connections. Cobain and Hendrix biographer Charles R. Cross writes ”The number of musicians who died at 27 is truly remarkable by any standard. [Although] humans die regularly at all ages, there is a statistical spike for musicians who die at 27.

Origins

However, a study published in the British Medical Journal in December 2011 concluded that there was no increase in the risk of death for musicians at the age of 27. Although the sampled musicians faced an increased risk of death in their 20s and 30s, this was not limited to the age of 27

Brian Jones, Alan Wilson, Jimi Hendrix, Janis Joplin and Jim Morrison died between 1969 and 1971, although a possible connection between their same death-age was not reported in the public press.

Although some relations were occasionally noticed, those rather remained a side note. It was not until the death of Kurt Cobain, about two and a half decades after the last occurred, that the first idea of a ”27 Club” was spread in the public perception.

The 27 Club And Illuminati Connection: Famous Musicians Who Died At Age 27

According to Hendrix and Cobain biographer Charles R. Cross, the growing importance of the media — internet, television and magazines — and the response to an interview of Cobain’s mother were jointly responsible for such theories.

An excerpt from a statement that Cobain’s mother, Wendy Fradenburg Cobain O’Connor, made in the Aberdeen, Washington newspaper The Daily World — ”Now he’s gone and joined that stupid club. I told him not to join that stupid club.” — referred to Hendrix, Joplin, and Morrison dying at the same age, according to Cross.

Other authors share his view. On the other hand, Josh Hunter and Eric Segalstad, writer of The 27s: The Greatest Myth of Rock & Roll, assumed that Cobain’s mother referred to the death of his two uncles and his great uncle, who all committed suicide. According to Cross, the events have led a ”set of conspiracy theorists the absurd notion that Kurt Cobain intentionally timed his death so he could join the 27 Club”.

In 2011, seventeen years after Cobain’s death, Amy Winehouse died at the age of 27, and there was a large amount of media attention devoted to the club once again. Three years earlier, she had expressed a fear of dying at that age.

The song ”28” by John Craigie off his album Montana Tale, is about the club. The three verses refer to the deaths of Jim Morrison, Janis Joplin and Kurt Cobain respectively.

https://en.wikipedia.org/wiki/27_Club

Amy Winehouse’s untimely death was a sad event yet it brought to many a sentiment of deja-vu. She is indeed one of several artists who died at the age of 27 and one of the many celebrities who lost their lives in strange circumstances. Is there more to these deaths than meets the eye?

Famous for her distinctive voice and soulful style and infamous for her controversies and substance abuse, Amy Winehouse embodied the classic dichotomy of a rock star: artistic brilliance coupled with a tendency for self-destruction. Her early death, at age 27, provided her the last ingredient required to become a memorable rock star: eternal youth. Going beyond her music, Winehouse will now be remembered as one of those who “lived fast and died young” and will forever have this mystical aura that surrounds those who have passed away during their prime. We will never see Amy Winehouse grow old and lose her edge. We will never see her become a “has been” who has to appear in crappy commercials to pay the bills. By dying at the age of 27, Amy Winehouse will forever be remembered as the fiery diva who inspired, shocked, attracted and repulsed people all at once. Most importantly, by dying at the age of 27, Amy Winehouse became the latest member of the 27 Club.
27 Club

A symbolic poster depicting the most famous members of 27 Club

The 27 Club (or Forever 27) is the name given to the group of highly influential stars who died at the young age of 27. Although there are dozens of artists in the 27 Club, the most notable are Jimi Hendrix, Janis Joplin, Jim Morrison and Kurt Cobain. Most of the members of this club led somewhat troubled lives and the causes of their deaths were surrounded by a shroud of mystery. Indeed, investigating the circumstances surrounding the deaths of Jim Morrison, Jimi Hendrix and Kurt Cobain quickly leads to unanswered questions and strange abnormalities. No autopsies, no definitive causes of death and vague police reports seem to be the norm in these high-profile cases. In short, we can find in these untimely deaths everything required to generate “alternative theories” involving murder.

Amy Winehouse’s sadly appears to be a perfect fit for the Club. Although one might argue that she was not the iconic and revolutionary artist Hendrix and others were, she bore many similarities to them: A unique style, a big following, heavy drug and alcohol usage, a tendency for depression and other mental problems, a history of bad relationships and, finally (and most importantly), a bunch of unanswered questions surrounding her death.

ultraviolance
In an interview with The Guardian, Lana Del Rey said: “I wish I was dead already”, citing Amy Winehouse and Kurt Cobain as heroes. Both of them died at age 27. While this worrying statement might be a sick way to gain publicity and consolidate her “dark and edgy” aura, it is also representative of what the “Lana Del Rey persona” is about : Sex Kitten Programming.

After a failed attempt to launch a musical career as Lizzie Grant, the singer underwent a “re-tooling” period where she got a new name, a new persona and a rumored plastic surgery to then re-emerge as Lana Del Rey. She then signed with Interscope Records – home of countless other Mind Control-themed artists. Her second album Born to Die was received with great enthusiasm by her fans and heavy criticism by her detractors who claim she is “fake”.

Going beyond the “real or fake” debate, a common thread found across her work is MK Ultra and Beta Programming (to know more about this, read this article).
In the video National Anthem, Lana plays the role of Marilyn Monroe singing Happy Birthday to JFK. As noted in several previous articles, Marilyn Monroe is the prototype of Beta Programming and served as JFK’s slave for several years.

In the video National Anthem, Lana reenacts Marilyn Monroe singing Happy Birthday to JFK. As noted in several previous articles, Marilyn Monroe is the prototype of Beta Programming and served as JFK’s slave for several years.
In the video Ride, Lana finds ”happiness” by getting intimate with a bunch of strangers who do not seem to care too much about her. While the video was accused of glamorizing prostitution, it also describes the strange mental state of a Beta Kitten.

In the video Ride, Lana finds “happiness” by getting following a bunch of strangers who do not seem to care too much about her. While the video was accused of glamorizing prostitution, it also describes the strange mental state of a Beta Kitten.
In the short movie Tropico, Lana’s father is John Wayne, her mother is Marilyn Monroe and her best friend is Jesus Christ. She then bites the apple of original sin (which might refer to initiation into MK Ultra) and turns into a stripper/prostitute/ Beta Kitten.

In the short movie Tropico, Lana’s father is Elvis, her mother is Marilyn Monroe (Beta Slaves are obsessed with Monroe) and her best friend is Jesus Christ. As Eve, she bites the apple of original sin (which might refer to introduction into MK Ultra) and turns into a stripper/prostitute/ Beta Kitten.

Her third album is entitled Ultraviolence, which is a reference to Stanley Kubrick’s classic movie A Clockwork Orange. In the movie, ultra-violence refers to the Alex DeLarge’s favorite pastime: Getting intoxicated, sadistically beating up innocent people and raping women. Alex is “cured” by the Minister of the Interior with “aversion therapy” which include mind control techniques such as drugging the subject, strapping him to a chair, propping his eyelids open, and forcing him to watch images of violence. Was “ultra” in the word “ultra-violence” a way for Kubrick to reference MK-Ultra?

The subject matter in her new album is a continuation of her Beta Slave persona. For example, in the title track Ultraviolence, Lana sings “you’re my cult leader” to her abuser; In the song F-cked My Way Up to the Top, Lana prettymuch describes what entertainment industry Kittens are about.

Lana’s recent interview with The Guardian is also in line with her Beta Slave persona